神意书画 | 九龙如来
九龙如来
年代：2016年【丙申年】
作者：金珂玄雷上师
年代：2016年【丙申年】
作者：金珂玄雷上师
上款：
芳香迎飞雪，如来借吾身。
慈悲临尘海，化度有缘人。
下款：莲音山人书留丙申
芳香迎飞雪，如来借吾身。
慈悲临尘海，化度有缘人。
下款：莲音山人书留丙申
山川大地，千里冰封，空行坤母，雪莲绽放，孕育万物，九龙腾飞！
大日如来手结转法轮印，安详端坐，俯察众生。古拙的梅干是蜿蜒的龙身，上师持诵密咒用手指点画出来的梅花在枝头怒放，灿烂芬芳！
九龙围绕如来，吐出甘露法雨汇聚成香水法海，润泽众生。如来背后，须弥龙王呼啸降临，金刚童子、莲花童子手执法器护持龙王，降伏心魔！如来放出璀璨祥光，顿破众生的无明，点亮众生的心光！
一轮皎洁的明月放射出柔和的光芒，月轮中五位童子是金、木、水、火、土五行的化身，象征着万物的生灭缘起，也是如来心识的化现，游戏三昧，空中有，有中空，轮回变化，觉悟众生……
Nine Dragons Tathāgata
Creator: Vajra Master Jinke Xuanlei
Year: 2016 (Year of the Monkey)
Mount Sumeru’s dragons and plums laugh in the wind and snow,
With Vajra heart that dispells evil and upholds righteousness.
Auspicious light shatters thousands of obstacles,
The Dharma body manifests, bringing spring to all nations.
Description
The Nine Dragons Tathāgata is an extraordinary sacred painting by Vajra Master Jinke Xuanlei.
At the heart of the painting, Tathāgata Mahāvairocana sits serenely, his hands forming the Turning the Wheel of Dharma Mudra. The Tathāgata gazes down with infinite compassion, alleviating the suffering of sentient beings. Surrounding him, the ancient plum branches—representing the coiling bodies of dragons—come to life with vibrant blossoms. The Master, while chanting esoteric mantras, used his fingers to paint the plum flowers, which exude a radiant beauty that fills the air with vitality and fragrance.
Encircling the Tathāgata are nine dragons, each constantly spits streams of nectar-like Dharma rain that converge into a fragrant ocean, nourishing and purifying all beings. Behind the Tathāgata, the mighty Dragon King of Mount Sumeru emerges with a resounding roar, accompanied by Vajra and Lotus Guardian Boys who hold sacred instruments, symbolizing the subjugation of inner delusions and demons. The Tathāgata radiates a brilliant light of auspiciousness, instantly dispelling ignorance and illuminating the inner wisdom of sentient beings.
A luminous full moon graces the upper background, emanating gentle, serene light. Within the moon’s disk, five celestial children appear, representing the five elements—gold, wood, water, fire, and earth. These figures embody the cycles of creation and dissolution, signifying the dependent origination of all phenomena. As emanations of the Tathāgata’s enlightened mind, they illustrate the interplay of emptiness and form, guiding sentient beings through the transformative cycle of samsara toward awakening.